Selected Articles

“National Playwright” in The Oxford Handbook of Shakespeare and Authorship ed. Rory Loughnane and Will Sharpe (OUP, forthcoming).

“Devotional Poetry,” in The Oxford History of Sixteenth-Century British Poetry, ed. Patrick Cheney and Catherine Bates (OUP 2022).

“Foreign War,” in the Cambridge Companion to Shakespeare and War, ed. David Loewenstein and Paul E.J. Hammer (CUP 2021).

“Dramatic Irony in Shakespeare and Calvin,” Oxford Handbook of Calvinism, ed. Bruce Gordon and Carl Truman (OUP 2021).

“The Fire Files,” Los Angeles Review of Books Journal, December

2019.

“The Conscience of an English Major,” The Rambling 2 (Oct. 2019)

“Love” in The Cambridge Companion to Shakespeare and Religion, ed.

Hannibal Hamlin (CUP, 2019).

“’As sure as I have a thought or a soul’: the Protestant Heroine in

Shakespeare and Austen,” in Jane & Will: the Literary Love Affair

between Austen and Shakespeare, ed. Maria Cano and Rosa Periago

(Palgrave, 2019).

“From Pity and Terror to Pity and Charity: Shakespeare’s Reformed

Characters,” in Cordery, Lindsey & María Ángeles González (eds)

Cervantes, Shakespeare. Prisma latinoamericano, lecturas refractadas .

Montevideo: Linardi y Risso, 2017.

“Hot Protestant Shakespeare,” in The Book in History; The Book as

History: New intersections in the material text ed. Heidi Brayman, Jesse

Lander and Zachary Lesser (Yale University Press, 2016).

‘Two Loves I have’: Of comfort and despair in Shakespearean

genre,” British Journal of Aesthetics, 2014 (54) 2 191-211.

ed. “Lady Bacon” Mary Hays, Female Biography; or, Memoirs of

Illustrious and Celebrated Women, of All Ages and Countries (1803).

Chawton House Library Series: Women’s Memoirs, ed. Gina Luria

Walker, Memoirs of Women Writers Part III. Pickering & Chatto:

London, 2013. vol. 5, pp. 

ed. Katherine Killegrew, Mary Hays, Female Biography; or, Memoirs

of Illustrious and Celebrated Women, of All Ages and

Countries (1803). Chawton House Library Series: Women’s Memoirs, ed.

Gina Luria Walker, Memoirs of Women Writers Part III. Pickering &

Chatto: London, 2013. vol. 10, pp. 

ed. Elizabeth Russell, Mary Hays, Female Biography; or, Memoirs of

Illustrious and Celebrated Women, of All Ages and

Countries (1803).Chawton House Library Series: Women’s Memoirs, ed.

Gina Luria Walker, Memoirs of Women Writers Part III. Pickering &

Chatto: London, 2013. vol. 10, pp. 

“Shakespeare and Religion,” in the Cambridge Companion to

Shakespearean Tragedy, second edition, ed. Claire McEachern, CUP

2013.

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“Spenser and Religion”, in The Oxford Handbook of Edmund Spenser

ed. Richard McCabe. Oxford University Press, Oct 2010; Second

edition 2014.

“Shakespeare, Religion and Politics,” in the Cambridge Companion to

Shakespeare, ed. Margreta de Grazia and Stanley Wells, CUP, 2010.

“Why do cuckolds have horns?” Huntington Library Quarterly, 71

(winter 2009); reprinted in Gale.

“Literature and National Identity under Elizabeth I,” in The

Cambridge History of Early Modern English Literature, ed. David

Lowenstein and Janel Mueller (CUP, 2003)

“The Englishness of the Scottish Play: Macbeth and the Poetics of

Jacobean Union” in The Three Kingdoms in the Seventeenth Century, ed.

Alan McGinnis and Jane Ohlmeyer, Four Courts Press, Dublin, 2001

“Figures of Female Fidelity: Believing in King Lear,” Modern

Philology 98 (2) 2000: pp. 211-231.

“Introduction” to Religion and Culture in Renaissance England, ed.

McEachern and D. Shuger, CUP 1997.

“Fathering Herself: A Source Study of Shakespeare’s

Feminism,” Shakespeare Quarterly 39, No. 3 (1988): 269-90; reprinted

in Shakespeare and Gender (Shakespeare: The Critical Complex, ed.

Steven Orgel and Sean Keilen, Garland Publishing, 2000)

Henry V and the Paradox of the Body Politic, Shakespeare Quarterly

45 No.1 (1994); reprinted in Materialist Shakespeare, A History ed. Ivo

Kamps, Afterword by Fredric Jameson (Verso, 1995), and in Political

Shakespeare (Shakespeare: The Critical Complex, ed. Steven Orgel and

Sean Keilen, Garland Publishing, 2000)

“A Whore at the First Blush Seemeth Only a Woman:

John Bale’s Image of Both Churches and the Terms of Religious

Difference in the Early English Reformation, “The Journal of Medieval

and Renaissance Studies 25(2) 1995: 245-269.